Oil Up with Golden Flax

It's a smell of after-hours, moonlighting, passion; it comes with images—slugs of paint in all colors, with a tactile sensation—the slide of oil paste beneath a thin metal palette knife, with a sound—a clinking brush stirred quickly in a baby-food jar of turpentine. Smell of linseed oil, and memories of watching my dad paint, after he got home from work and on weekends.

I spent a weekend recently rubbing linseed oil into the wood in my dining room, wood once covered in a lifeless shade of blue paint, which was only the latest of around ten layers I think I counted at one point. As I scraped I could sometimes see them all at once, like the rings of a tree, from wood to creamy milk paint to something scary from the 50s or 60s right up to the blue. I could almost hear the wood's sigh of relief as I scraped all that gunk off it.

I don't like paint on wood or walls. I like a nice plain of plaster with its fine grain, hairline cracks, and skid marks from the trowel. (I hope I can tolerate going back to the construction equivalent of fast food after living here, 'cause Sheetrock, USA is most likely where I'm headed).

Give me some raw woodwork and a bottle of linseed (I used it straight, but I also used a nice polymerized linseed oil by Tried and True in Trumansburg, NY). Give me a tablespoon of flax oil on my oatmeal every morning and I feel even better. You can make clothes out the stuff, too...flax and hemp, the basic needs-meeters.

People who come into our dining room now are moved by the scent; they comment on it. Either they are artists and they love it because they're at home in a linseed atmosphere, or it brings back a happy memory of making art or being near art making. There's no pattern in A Pattern Language for smells, is there? —maybe there should be: Lavender Drawers at the Top of the Stairs, Aromatic Pathways to the Kitchen, Pockets of Linseed Memory...